Last but not least is an interchangeable polar pattern. The Neumann is also slightly more sensitive than the Shure, but it does have a similar max SPL. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. This labyrinth is designed to delay sound from the rear, and is critical in achieving a directional polar pattern. I prefer the KSM9 over the Beta87C. The Neumann KMS 105 is a condenser microphone that has been designed for studio use. These marks may be registered in other jurisdictions. It is also available in both wired and wireless versions, which makes it ideal for use in a variety of settings. Wed love to hear from you. At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. All in all, the KSM9 offers a very happy medium. Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. KSM8. Shure are one of the industry leaders in vocal microphones. In combination, these are designed to provide effective plosive and wind protection, as well as keeping breath moisture away from the capsule. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a 'soft-flex' stand adaptor clip and 5/8-inch thread adaptor. New Loops Releases 'Twin 3 Pro Expansion' 30% off intro discount! A max SPL of 152db is also a little lower than the SM58, but not drastically different to some of the other pro-level dynamic microphones (e.g. I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. MaonoCaster E2 (AME2) review - production audio interface for streamers. This dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. Both mics have very similar specs and a similar size, weight and design. As for music genres, KSM9 works best with latin, jazz, pop music, rock and similar. Price $699. Mylar is a registered trademark of E.I. In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. But guess you are looking more into a dynamic type of mic. The dual diaphragm design gives it one active and one passive diaphragm, so its also inspired, to an extent, by some of the classic fixed-pattern twin-diaphragm condensers. . Good Luck! Internal shock mount and capsule stabilization mean minimal handling noise. . 5 stars: 28 %: 4 stars: Its similar in design to the classic Shure SM58, but with a squarer grille at the head of the microphone. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a soft-flex stand adaptor clip and 5/8-inch thread adaptor. The nicely tapered die-cast aluminium body is available in a brushed nickel or black-painted finish, with overall dimensions of 188mm x 48mm. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. #3. Singers with quieter voices will find that a live condenser mic can better convey the emotion and intimacy of their performances. The unique design of the Shure Dualdyne cartridge provides several benefits over traditional single-diaphragm dynamic microphones: With traditional microphones, low-frequency response increases as the performer moves closer to the microphone. The KSM8 retails for a couple of hundred dollars cheaper than its condenser counterpart, and is aimed at a slightly different consumer bracket. Interesting Essay On Sampling Rights and Reforms. This website is using a security service to protect itself from online attacks. 10 Albums That Are Complete Masterpieces According to You! I think the Shure is a little brighter in character, whereas the Sennheiser is a bit more pronounced in the low-mids. The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. The Neumann KMS 105 and the Shure KSM9 are both great microphones, but the Neumann kms 105 is the better microphone. Balancing bullet-proof reliability, technical sophistication and dynamic stage ready appearance. This compliance is completely absent in a single-diaphragm cardioid capsule, of course. The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself . It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. Being music makers ourselves, we love geeking out on all things gear. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. And of these, the SM57 and SM58 are industry-standard around the world. The younger sibling of the KSM9 is the Shure KSM8. It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. Braunmhl-Webers innovative capsule design was patented in 1936, and introduced commercially as the famous M7 capsule employed in all of Neumanns early microphones. Shure KSM9 has two modes: cardioid and supercardioid. But on closer inspection, each mic has their own distinct but subtle character. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. While the KSM9 offered Cardioid and Supercardioid patterns, the KSM9HS offers Hypercardioid and Subcardioid (wide cardioid), selectable via a switch under the grille. Exceptional consistency across all frequencies, providing more gain before Dual gold layered, low-mass Mylar diaphragm design, Switchable polar patterns (supercardioid and cardioid). Usefully, and for related reasons, the mics susceptibility to plosive popping is also dramatically reduced as an added bonus! BLX4 and BLX88 systems are throw-it-in-your-backpack wireless mic systems with portable receivers, great for getting around quickly. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. But for the money, youll get a classy, crystal-clear sound with heaps of dynamic detail. But for noisy stage environments, a supercardioid pattern does a better job of rejecting noise from monitors and other instruments. and all parts are high grade. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. This extended high range will give your vocals that extra sparkle and clarity, and a more open authentic sound. It has a sumptuous rich low end that isnt overpowering, smooth mids, and sparkling fizzy high notes. . But a supercardioid pattern would be better when recording a full band in a single room. Inside, the microphone features a Class A, transformerless preamplifier circuit. He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. The KSM8 has more of a presence peak in the upper mids, whereas the KSM9 feels more transparent throughout the high range. It may likely suffer from cosmetic defects, such as grille deformation and less likely scratches. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. SM58. But with good noise-handling and clever engineering, the KSM9 brings all of these qualities to the stage. Every KSM9 I've seen has been switchable between cardioid and supercardioid. Win a TB-03 and TR-06 from Roland. Therell be less of the proximity effect, and the mic will pick up more sounds from other instruments, and the acoustics of the room. There are no user-serviceable parts inside. The electronic circuit is maybe complex but it doesnt utilize any vulnerable components (such as triodes, crystal oscillators, etc.) Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. They both have their own advantages and disadvantages, so its important to choose the right one for your needs. The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. Always works in a rock setting. Thank you for your request. What is the output level difference between Shures Beta 87A and SM58? A dual-diaphragm design helps to reduce the proximity effect, and evens out the frequency response throughout the vocal range. In other words, the acoustic impedance of the diaphragm increases as the frequency gets lower. 95A2050 . Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. Thus, it is like you buy one mic but end up with two, and you can switch themwhenever you want, which is quite very awesome. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. suggested Neumann KMS 105 Sennheiser e 965 Shure KSM8 Shure KSM9HS Shure Beta 87A Shure Beta 58A Shure SM57 Sennheiser e 835-S Sennheiser e835 Sennheiser e 835. Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. Both mics have their pros and cons, so it can be tough to decide which one to buy. Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. Shure can be proud of their achievements in creating the Dualdyne capsule, and of advancing microphone technology in such a practically valuable way. The KSM8 Dualdyne features a patented cartridge design with two ultra-thin diaphragms and groundbreaking reverse airflow technology. As a premium mic, the KSM9 is certainly pricey. I own a SM7b and want a mic with similar quality for when I feel like holding the mic and being free. 3:26 What We Heard The Neumann KMS 105 microphone is the choice for professionals who demand excellence in their recordings. However, what is new groundbreaking, in fact is the application of the dual-diaphragm configuration in a moving-coil capsule. This can really work well for folk, jazz and classical styles. The KSM9 is Shure's premier live vocal mic and with it's dual diaphragms can be switched between Cardioid and Supercardioid polar pattern modes. Its a departure from their simply constructed dynamic live mics. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. BLXShure Quality at an Affordable Price for Basic Setups: $299. Dynamic mics are particularly suited to live and stage use. Future Publishing Limited Quay House, The Ambury, Shure KSM9/CG Dual-Pattern Condenser Handheld Vocal Microphone. XLR are the standard connectors on all professional studio equipment. The Shure KSM9 could be the best choice for someone who wants excellent sound but cannot afford a Neumann kms 105. In America, Electrovoice took a very different approach in their EV664 microphone launched in 1954. Because of this, Shure KSM9 is much easier to use when there are other singers or instruments on the stage. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. New Release: EDM Expanse (Construction Kits). Its an effect used by radio presenters to give them very deep voices. However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. In general, a single-diaphragm capsule provides more accurate results for distant (far-field) sound sources, having a more accurate cardioid response which rejects rearward sources more effectively, and also enjoying a more accurate on-axis frequency response. SM86 is Shure's best compromise. For comparison the SM58 only reaches 15kHz. Despite being a condenser, the design is well adapted to gigging. The KSM8 is a dynamic microphone; the KSM9 is a condenser microphone. Taking its inspiration from Shures classic Unidyne III capsule (thats the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver a more consistent polar pattern. Cloudflare Ray ID: 7a2dba687d4fa3ab 3.7 out of 5. It has a 40 to 16000 Hz frequency response, a 300 output impedance, and a sensitivity of -51.5 dBV/Pa (1.85 mV) at 1 kHz, open circuit. I work with a female vocalist who is looking to upgrade her microphone. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. A Sweetwater Sales Engineer will get back to you shortly. When you purchase through links on our site, we may earn an affiliate commission. Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. Polar Pattern Frequency Response 500 Hz 250 Hz 1,000 Hz 6,400 Hz 9,000 Hz 2,500 . The KSM8 really is impressive for a dynamic mic. The Sennheiser also has a slightly larger diaphragm than the Shure. The amount of rear rejection degrades slightly around 6-8 kHz, but not enough to cause any significant issues. The Neumann KMS 105 has a more natural sound and is more durable than the Shure KSM9. In my opinion, if budget allows, stretch to a KSM9. As well as the microphone, the KSM9 also comes with: Dynamic mics are extremely durable, and can withstand a certain amount of rough and tumble. Comparison of Shure KSM9 and Shure SM58 based on specifications, reviews and ratings. Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. In practical terms, working the microphone in the normal way exhibits a far more consistent and balanced sound than would be experienced with, say, an SM58, which can go from distinctly boomy to noticeably thin with only the smallest of positional changes. With a decent sound system, the KSM9 is startlingly clear and detailed. Ultimately the Shure KSM9 and Sennheiser E965 are two very similar microphones. Less spiky in the high mids, which means it sounds a lot better soloed, but doesn't sound as up front with a band. SM7b is unique though, so dont expect you can get the exact same performance from another handheld. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. Here we really missed the added proximity oomph, particularly for the guitar. I haven't tried the sennheiser but I can tell you my experience with the kms105 and the ksm9(the ksm8 is a dynamic). The kms105 is super clean, clear . Where the magic happens! Overview. Enter the KSM9, a new handheld condenser microphone developed for high end live sound usage. An internal shock mount offers the kind of durability youd expect from a live mic. You are using an out of date browser. Its most sensitive on-axis (at 0 degrees), but also picks up sound around 65 degrees either side of the mic. The Shure KSM9 can switch between two different polar patterns: cardioid and super-cardioid. MusicRadar is part of Future plc, an international media group and leading digital publisher. Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. Features. The KSM8 uses a dual-diaphragm moving coil cartridge with a cardioid pickup pattern. A supercardioid pattern is a little tighter around the mic, picking up sound around 57 degrees each side of the mic. Save my name, email, and website in this browser for the next time I comment. Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. How vulnerable are these mics to dropping on the stage? Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. The downside is that the KSM9 seems to pick up everything on stage.. FYI there is a new version of the KSM9 that now offers a switchable polar pattern. Available colors: User rating: 71. However, if you imagine a noisy gig environment, you can see how you might run into problems with feedback and monitor bleed. Firstly, good live condenser mics, such as the KSM9 have internal shock mounts. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). But theres one major difference between these two mics. Re: KSM9 vs. Enter the Shure KSM9 a condenser mic for the live stage. 5 () A85WS Black foam windscreen for KSM8, SM58, SM86, SM87A, Beta 87A and Beta 87C A25E Black, Soft-flex Swivel Adapter for KSM8 and KSM9 RPM266 Black replacement grille for KSM8 wired and wireless RPM268 Brushed Nickel replacement grille for KSM8 wired and wireless. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. Q. American Standard Pitch Notation, a true work of evil. Follow us. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater https://imp.i114863.net/WDLGBnShop Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater https://imp.i114863.net/0J3d0LIf youre wondering what video gear we use, check it out https://imp.i114863.net/n1z2DaSweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. KSM8 in Nickel (G50) KSM8 in Black (G50) KSM9HS (G50) SM87 (G50) SM86 (G50) And don't forget about the optional SB900A rechargeable lithium-ion batteries . Reviewed by: Paul NarangReview date: October 2022Current price: Around $500. On first listen, the two mics have a similarly clear and transparent sound. KSM8 is a dynamic with a darker tone. If the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement. Find An Answer Browse our vast Answer database for answers to many common technical questions. This will add more bass to the sound, due to the proximity effect. Shure Audio Institute. At 191 mm (7.5), its slightly longer than the Shure SM58. And although the smooth midrange suited the guitar cab, on snare drum we really missed the boost in brightness that an SM57 brings. The last mic in our guide is the absolute gold-standard option when it comes to world-class live vocal capture - the KSM9. Additionally, the KSM9 has a built-in shock mount that helps to reduce noise from vibration, making it ideal for use with high-end instruments. A dynamic microphone process sound waves mechanically whereas a condenser microphone does so electronically. More videos like Shure KSM8 vs. KSM9 | What's the Difference? The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. Perhaps the closest competitor to the Shure KSM9 is the Sennheiser E965. Shure KSM8 vs Shure KSM9. Also, what's your use case, as this will probably help us guide you towards to best choice! A cardioid polar pattern picks up sound in a heart shape around the front of the microphone. Confused about setting up your guitar? It features a cast aluminium handle, solid construction, and comes in two colours: charcoal or champagne. Finally, dynamic mics are passive meaning they dont require any power. KOHN MUSIC STORE. The Dummies Guide explanation is that the passive rear diaphragm acts as the first element of the acoustic labyrinth network, and provides significant compliance at low frequencies. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. Picking the mic up reveals that it is pleasantly weighty, at 330g, and it feels well balanced in the hand. The switchable polar pattern means its versatile, and can easily adapt to your situation. Just make sure to point it where you want to and it will do the rest. Nice to know, that. They call it a three-stage grille or simply triple grille. The Shure KSM9 is a well-known professional audio microphone, and the Neumann KMS 105 is a popular choice for home recording enthusiasts. He enjoys writing middle grade and YA fiction, doing traditional art, and keeping up with the latest anime series. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? For information on microphone use and applications or for a more comprehensive look at the technology behind the microphone, visit www.shure.com for educational publications on these topics and more: The KSM8 Dualdyne Cartridge utilizes a reversed side entry airflow system. DUAL DIAPHRAGM TECH. Sweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. Therefore, if you can afford this mic, go ahead and start digging that difference. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. One other thing to note is that theres a very slight difference in the high-end response between the two switchable polar patterns. This helps maintain richness and definition in the bass, without it becoming overwhelming. I have heard good things about this capsule. The grille interior is lined with a hydrophobic woven fabric. The user should not attempt to remove or replace this lining. As expected from professional equipment, youll get that superior quality and low noise levels. Jan 28, 2013. Shure KSM9 has a fantastic quality and it gives a very natural sound. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. This means theyre prone to overload and distortion from louder singers. Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, Die-cast Aluminum with Paint or Brushed Nickel Finish, Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9, Black Foam Windscreen for KSM8, SM85, SM86, SM87A, Beta 87A, and Beta 87C, Black Replacement Grille for KSM8 Wired and Wireless, Brushed Nickel Replacement Grille for KSM8 Wired and Wireless. Heres how it works. Keep in mind, Heil mic is more sensitive, which is both a pro and a con. The Shure KSM9 is also a great choice for studio vocals. But the Shures smaller dual diaphragm design may give it the edge when it comes to a natural, clear and authentic sound. Giving just enough brightnessto put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. In my experience the KSM8 is a more hi-fi-sounding mic. At the low end, a small amount of proximity effect is apparent if the source is closer than about 25mm (one inch), but between 25-75mm (one to three inches) the response is well balanced and very consistent. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date.
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